![]() ![]() The 12-issue maxiseries feels like a purposeful misdirection, a playful move by Johns to subvert what we think the JSA really is. It is an ambitious move, and one that continues to surprise with just how well it is working.Īt the heart of all of this is “Justice Society of America,” a return to a classic Johns title that is quite different than any of the books that have bore this name earlier. His imprint, The Killing Zone, never materialized, and it appeared that he took some of those concepts to Image for “Geiger.”īut Johns is back, and he’s telling a large story that connects “Doomsday Clock” to his earliest work at DC, as well as attempting to tell a story that touches into the (perhaps never to be) future at DC. “Doomsday Clock” and “The Three Jokers” aside, there is only a “Shazam” series that was frequently delayed and a few sporadic issues here and there to show for those years in the wilderness. ![]() The Geoff Johns resurgence at DC is a surprising one, given the fact that he has been, at best, an ancillary figure on the publishing side for the past six years. ![]()
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